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One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist ...

Поэтический мир десятилетнего Канатбека, строящего песочные замки, сталкивается с прозой мира реального.